A participant in the Art of Letter Writing course that I have been running was visiting the Corowa Museum and took photos of these letters that are on display.
Category: Lived Experience Tales
An Approach to Memoir
One way to prepare for writing a memoir or, for that matter, an autobiography, is to gather photos which depict distinct periods of life. I collaborated with Natalie d’Arbeloff many years ago when I interviewed artists and published those interviews in the Artists Loft, which was a vibrant corner of the Soul Food Cafe.
Blanche d’Arbeloff, born April 17, 1904, died August 19, 2001.
Blanche began painting at the age of 94, when people might be excused for staring trancelike at flickering images on their TV sets. In the last three years of her life she produced an extraordinary body of work bursting with vitality, spontaneity and originality.
Her first exhibition was held in May 2000 at the Mary Ward Adult Education Centre in London where she enrolled for painting classes after her husband died in 1996, aged 101. She and Alexander had been together for nearly 80 years.
Born in Paris, Blanche began working as a milliner in haute couture, but was swept off her feet and into a new life by Alexander (Sacha), an aristocratic Russian emigré. At first he was involved in film production in Paris, then in magazine publishing, and eventually in writing novels. Sacha’s restless search for new horizons took him, his young wife Blanche and their two small daughters to Paraguay, where he conceived and organized a major road construction project, giving this tiny landlocked country an outlet through Brazil. The family then moved to the United States where they became naturalized citizens and had another child, a son.
In spite of her globe-trotting existence, Blanche never lost either her French accent or her French joie de vivre, evident in the exuberantly coloured paintings that reflect the rich variety of her experiences seen through fresh, unsophisticated eyes.
Blanche and Sacha settled in London about 25 years ago and she began to explore some of the creative possibilities available in adult education, trying her hand at pottery, sculpture, bookbinding, weaving and printmaking – the latter taught by her daughter Natalie at the City Lit Institute – but it was her discovery of painting that determined her true vocation.
Blanche’s art tutors at the Mary Ward Centre recognized her unique talent and encouraged her while admitting she was “unteachable” – she would do things only her way and ignored all instruction that did not fit her own inner vision. Not one to accept the limitations of old age, she insisted on walking up and down the five flights of stairs to the art studio at Mary Ward every week until her legs finally refused to obey her will.
Blanche became house-bound for the last four months of her life, but her spirit remained alert, interested in everything, serving as an example to all who came in contact with her. She died peacefully at home, surrounded by her family and her life-affirming artworks.
I am proud and eternally grateful for the privilege of having her as my mother.
by Natalie d’Arbeloff.
A Memory Museum
Museums today are more than familiar cultural institutions and showplaces of accumulated objects; they are the sites of interaction between personal and collective identities, between memory and history.
Susan Crane
“I created this small museum to remember them, so people can see it and we can remind ourselves that our loved ones were here once.”
Between 1947 and 1971, the border village of Hundarman Broq in the district of Kargil, was located in Pakistan’s territory. But when the dust settled after a seven-day war in 1971, the village was incorporated into India. The result of the war was that those who had been in Pakistan at the time remained Pakistani citizens, while those who had stayed in the village became Indian citizens overnight, with no way to cross the borders. For years, many villagers from Hundarman Broq have been separated from their families, with no way to see them again.
To grapple with this reality, one man, Mohd Ilyas Ansari, has taken it upon himself to create Hundarman Broq’s Museum of Memories, which encompasses the objects left behind by the villagers who never returned home to this small border town. The museum is a way for Ansari—and the rest of the villagers who still remain in this ghost village—to remember all the divided families that still exist in India and Pakistan, and offer younger generations a way to know their ancestors.
- Design a Memory Museum of your own. This can be done by making a simple diorama in a shoebox or devoting a notebook to recording the micro-stories of the objects that you will put on display.
- More about the Border Village Museum of Memories
Objects Tell Micro-Stories and Biographies
“They are objects of everyday life in the female world and are extraordinary because they tell micro-stories and biographies of the inhabitants of the city who tried to escape the eruption,” said Pompeii’s general director, Massimo Osanna, in a statement.
It is believed that these tiny amulets were used to bring fortune and fertility, and protect against bad luck. There is no doubt that when they found these items at Pompeii they found a treasure trove of items, each of which has a powerful story to tell.
When le Enchanteur led travellers into Lemuria she gave them a special bag filled with talismans, each with a specific purpose and urged recipients to take great care of their bags as they journeyed deep into this mysterious land. In my classes, I reveal the power of my little red suitcase to draw out memories and I have encouraged participants to create creative medicine boxes and bags and fill them with precious objects.
In my most recent course participants bought along with them, boxes containing precious items. We used these to kick start writing. A simple House Captain’s Badge, an old photograph taken at an orphanage in India induced a flow of words. As Osanna, Pompeii’s director, says in this ArtNet article, “objects of everyday life… tell micro-stories and biographies”. Certainly, the same lamp that stood by my bed when I was a child brings back memories of the room in that house that I shared with my sister, of the doorway that led into what had been a nursemaid’s quarters, a storeroom where I spent solitary hours playing.
Designate a notebook where you sketch or include photographs of memory-filled items. Allow a memory-filled item to take you on the wings of time and travel back to the past. Simply make random notes. This notebook is only a repository that you may turn to when you want to begin writing, so you do not need to adhere to rules of grammar or even construct sentences. Later you can zoom in on a word or phrase and begin to write.
- Take the time to find the right bag and create a creative medicine bag, or box of wonder, filled with objects which will inspire you.
- Consider using the amulets belonging to the female sorcerer and write using her voice.
Gathering Lived Experience Narratives
Len runs a small coffee house and offers a range of eclectic collectables in a historic building in a small Central Victorian town. When I called in for coffee we talked about the writing courses that I offer and he invited me to bring my coffee to the kitchen and observe some ‘performance art’. As he prepared a batch of his very popular scones we chatted and he told me that if I hadn’t seen the work of Agnes Varda then I really needed to check out her award-winning documentaries that focus on the lives of ordinary people.
Who will you interview? Who will you develop a portrait for?
Memoir Mapping
One of life’s great treats, for a lover of books (especially fantasy books), is to open a cover to find a map secreted inside and filled with the details of a land about to be discovered. A writer’s map hints at a fully imagined world, and at the beginning of a book, it’s a promise. In the middle of a book, it’s a touchstone and a guide. And in the end, it’s a reminder of all the places the story has taken you. (Remainder of Article)
What would a map of your life or a place you lived in for an extended period of time look like?
Draw a memory map of:
- Your old neighbourhood
- A secret childhood hideaway
- A house you lived in as a child
- Your childhood room
Dig out some books that included maps.
Take your time and put in as much detail as you can. Write about something you had forgotten and that emerged when you drew your map. Write about something that happened in the location you mapped.
Specialist Teacher of Writing 